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edward.maurath

HWV63A3N58 - "See, the conquering hero comes"

edward.maurath

3:33	Est. Play Time
80	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	11	0	2	6	92%
Flute	13	0	1	6	67%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	11	0	2	6	92%
Flute	13	0	1	6	67%
	13	0	2	8	67%
Alto	11	0	1	6	58%
Organ as by Handel	14	0	1	6	58%
Soprano II	12	0	3	6	58%
French Horn I	9	0	1	6	50%
French Horn II	9	0	1	6	50%
Oboe	13	16	2	6	35%
Bass	9	0	1	6	33%
Cello Continuo	9	0	1	6	33%
Cortrebass Continuo	9	0	1	6	33%
Organ Continuo	16	18	3	5	33%
Organo Continuo	10	1	1	6	33%
Tenor	8	0	2	6	33%
Viola	9	0	1	4	33%
Violin I	9	0	1	5	33%
Violin II	10	0	2	8	33%

HWV1A2N14 "Nein, nein, Fernando, nein!"

edward.maurath

2:11	Est. Play Time
48	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	15	0	4	5	100%
Almira	14	0	3	6	52%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	15	0	4	5	100%
Almira	14	0	3	6	52%
Fernando	14	0	4	6	46%
Harp	19	25	6	4	42%
	13	11	3	4	42%
Harpsi	16	17	4	3	33%
	17	15	5	3	33%
Lute	17	17	6	2	25%
	21	15	7	2	29%
Osman	11	0	1	3	17%

HWV63A0 - Judas Maccabeus (1746) Overture in g minor

edward.maurath

11:07	Est. Play Time
186	Measures
	2,568Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1	26	0	9	10	97%
Violini 2	27	0	9	10	94%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1	26	0	9	10	97%
Violini 2	27	0	9	10	94%
Viole	18	0	4	8	83%
Contrabassi Continuo	25	0	10	10	81%
Violoncelli Continuo	25	0	10	10	81%
Bassoon Continuo	26	0	10	10	45%
Oboe 1	22	0	8	9	45%
Organo	16	39	5	9	40%
	20	1	5	9	41%
Cembalo Continuo	17	42	5	6	30%
	20	4	3	6	30%
Oboe 2	18	0	5	7	26%

Händel: "Samson," (oratorio), "Let the Bright Seraphim"

edward.maurath

3:59	Est. Play Time
76	Measures
	1,390Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	22	0	5	5	82%
Vln 1	24	0	7	6	73%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	22	0	5	5	82%
Vln 1	24	0	7	6	73%
Violas	17	0	5	6	72%
Vln 2	23	0	6	6	72%
Harpsi	17	15	3	7	71%
	20	16	3	4	61%
Israelite Woman	16	0	4	9	70%
Celli	20	0	4	5	59%
Kontrebaß	20	0	4	5	59%
Trumpet	10	0	1	8	51%
Organ with out pedals (Continuo)	16	12	5	5	22%
	15	8	3	3	22%

BWV245N13½ "Zerschmettert mich, ihr Felsen und ihr Hügel" Aria for Tenor in A Major used 1725 only in place of "Ach, mein Sinn"

edward.maurath

8:12	Est. Play Time
55	Measures
	1,308Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	27	0	11	5	100%
Cembalo Continuo	34	39	12	5	98%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	27	0	11	5	100%
Cembalo Continuo	34	39	12	5	98%
Contrabassi Continuo	27	0	11	5	95%
Viola	25	0	8	9	95%
Violoncelli Continuo	27	0	11	5	95%
Violin 2	28	0	9	9	94%
Violin 1	30	0	10	7	93%
Tenore Solo	21	0	8	5	74%
Organo Continuo	16	22	6	4	28%

HWV17a2n16y1724: Cleopatra, "Venere belle" in A Major

edward.maurath

11:30	Est. Play Time
123	Measures
	1,072Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	31	5	5	62%
	26	50	8	5	90%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	31	5	5	62%
	26	50	8	5	90%
Harp	17	18	3	5	45%
	25	61	8	5	90%
Continuo	20	0	5	5	90%
Violino solo	22	0	6	6	85%
Cleopatra	16	0	5	5	67%
Violini	17	0	1	5	38%
Celli	12	0	0	5	35%
Kontrebaß	12	0	0	5	35%

BWV245N2 - EVANGELIST Jesus ging mit seinen Jungern

edward.maurath

3:07	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	21	0	8	5	100%
Evangelist	16	0	5	4	77%
View all 22 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	21	0	8	5	100%
Evangelist	16	0	5	4	77%
Cembalo Continuo	16	30	7	4	67%
	21	2	9	4	72%
Organo Continuo	20	18	6	4	49%
	20	3	5	4	51%
	18	0	5	4	49%
Bassoon Continuo	16	0	3	3	26%
Contrabassi Continuo	16	0	3	3	26%
Oboe 1	17	0	5	3	26%
Viole	17	0	3	2	26%
Violini 1	20	0	3	2	26%
Violini 2	16	0	3	2	26%
Violoncelli Continuo	16	0	3	3	26%
Oboe 2	17	0	5	3	23%
Alti	11	0	2	5	21%
Bassi	15	0	4	4	21%
Jesus	12	0	2	4	21%
Soprani	10	0	1	4	21%
Tenori	12	0	3	4	21%
Flute 1	14	0	1	2	13%
Flute 2	14	0	1	2	13%

BWV245N16 - Da Führeten sie Jesum von Kaiphas vor das Richthaus

edward.maurath

5:57	Est. Play Time
80	Measures
	2,046Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassi	19	0	6	7	70%
Organo Continuo	17	13	6	7	65%
View all 21 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassi	19	0	6	7	70%
Organo Continuo	17	13	6	7	65%
	23	5	8	6	66%
FlautI TraversI	23	0	8	3	58%
Violin 1	23	0	8	5	58%
Alti	16	0	6	6	56%
Bassono Grosso Continuo	21	0	7	5	56%
Bassoon Continuo	22	0	7	6	56%
Contrabassi Continuo	21	0	7	5	56%
Oboe 1	20	0	7	5	56%
Oboe 2	16	0	6	6	56%
Soprani	20	0	7	5	56%
Violin 2	16	0	6	6	56%
Violoncelli Continuo	22	0	7	6	56%
Tenori	18	0	7	4	55%
Viola	18	0	7	4	55%
Violoncello Continuo	17	0	5	5	48%
Cembalo Continuo	19	43	7	7	41%
	17	0	5	7	41%
Evangelista	16	0	6	5	31%
Pilatus	13	0	5	4	15%

"Caro Amor" from "Il Pastor Fido," HWV 8, (1733)

edward.maurath

1:45	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	0	4	100%
Flute	13	0	1	5	95%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	0	4	100%
Flute	13	0	1	5	95%
	13	0	1	5	95%
Contrabassi (Continuo)	13	0	0	3	95%
Viole 1	13	0	1	5	95%
Viole 2	13	0	1	5	95%
Violini 1	13	0	1	5	95%
Violini 2	13	0	1	5	95%
Violoncelli (Continuo)	13	0	0	3	95%
Cembalo (Continuo)	21	41	1	5	78%
	16	15	0	4	38%
Soprano as Mirtillo	9	0	0	5	44%

HWV56N38 - "How beautiful are the feet" - 1741

edward.maurath

5:30	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	20	0	5	7	98%
Organo	24	85	7	6	96%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	20	0	5	7	98%
Organo	24	85	7	6	96%
	16	27	5	7	96%
Violini	27	25	9	8	91%
Contrabasses	16	0	3	7	82%
Violoncelli	18	0	3	7	82%
Soprano	17	0	6	6	79%
Cemballo	18	26	5	6	46%
	16	14	4	6	46%

HWV17A3N19 - Recitative, "Quì Curio vincitor"

edward.maurath

2:44	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	17	0	7	5	100%
Harpsichord	10	9	3	5	46%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	17	0	7	5	100%
Harpsichord	10	9	3	5	46%
	19	26	7	5	51%
Cesare	12	0	4	5	45%
Harp	17	20	6	6	42%
	15	16	5	5	44%
Sesto	9	0	4	3	22%
Cornelia	11	0	3	3	18%
Nireno	7	0	0	3	14%
Cleopatra	7	0	2	4	10%
Lute	5	1	1	2	4%
	12	3	5	2	6%

HWV56N01 Overture in e minor - Messiah

edward.maurath

4:45	Est. Play Time
109	Measures
	4,468Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe 1	24	13	8	7	98%
Vln 1	24	13	8	7	98%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe 1	24	13	8	7	98%
Vln 1	24	13	8	7	98%
Oboe 2	22	0	7	6	96%
Vln 2	22	0	7	6	96%
Bassoon	22	0	7	6	92%
	19	1	5	6	93%
Viola	19	1	5	6	93%
Cello	22	0	7	6	92%
Violone	22	0	7	6	92%
ORG RH	22	48	6	6	69%
ORG LH	21	12	6	6	66%
HSC LH	16	15	5	6	29%
HSC RH	15	27	4	6	29%